Western Mass Theatre News - February 27
This week: Scissoring at Smith College, Fences at the Majestic Theater, Kristina Wong at UMass, and Play Incubation Collective's latest reading: The Transformation by Jem O'Hara.
The next issue will include events from March 6 - 26. Submit upcoming events via the link below or by emailing me before Tuesday at midnight. Any questions, comments or feedback? Email me at westernmasstheatre@gmail.comEasthampton Theatre Company presents On Golden Pond
March 15-23 at
Tickets and More InformationYOUR EVENT HERE
$5 per week for your poster and ticket link in top billing!
Email me to reserve your dates.Click to Access: Western Mass Theatre Personnel Spreadsheet
PERFORMANCES
The Smith College Department of Theater presents Scissoring by CQ Quintana, directed by Kelsey Rainwater on February 27, 28, and March 1 at 7:30 PM in Hallie Flanagan Studio Theatre. When Abigail Bauer takes a job as a teacher at a conservative Catholic school, she is forced to step back into the closet against the wishes of her long-term girlfriend. As she struggles to reconcile her professional ambitions, personal relationships, religious beliefs, and internalized shame, Abigail receives guidance from First Lady Eleanor Roosevelt and Eleanor’s devoted friend and lover, Lorena Hickok. Tickets $5-15 at smitharts.ludus.com.
Scissoring explores the ways in which people can feel split into multiple, sometimes conflicting, identities. The New York Times called it a “pleasure to watch…about finding the courage to be fully oneself.” Playwright CQ Quintana is a queer Cuban-American writer who works in theatre, poetry, television, and lyrical nonfiction. Their plays have been developed at the Kennedy Center, Diversionary Theatre, and INTAR. Scissoring was the culmination of their MFA in Playwriting at Columbia University and was a 2013/14 finalist in the Alliance/Keneda National Graduate Playwriting Competition. The play premiered in 2018 at INTAR in New York City.
In Scissoring, Quintana examines the complex relationships between queer identity, religion, race, and professional opportunity. Guest Director Kelsey Rainwater, an actor and faculty at David Geffen School of Drama at Yale, has been the fight and intimacy coordinator on several Smith productions. She is excited to return to campus to direct this layered, provocative, sweet, and funny show. “What makes this experience even more meaningful is the chance to tell this story at such a crucial time in our country, at Smith—where young creators are encouraged to amplify their voices through art.” Rainwater observes, “In a moment when people of color, LGBTQ+ individuals, and wxmen are increasingly marginalized, we are making a clear statement: these voices will be heard.”
Set in New Orleans in 2018, Scissoring conveys the myriad intricacies of closeted life in the late 2010s when the city was recovering from Hurricane Katrina. Abigail’s partner is an artist and they live in the rapidly gentrifying Marigny, a bohemian neighborhood where they can be their authentic selves. St. Elizabeth Rose Catholic School, where Abigail teaches, is in Uptown, a wealthy, more conservative district. The stress of toggling between these two worlds, physically and emotionally, pushes Abigail to a breaking point. Quintana introduces Eleanor Roosevelt and Lorena Hickok to serve as imagined guides for Abigail and heightens the theatricality with a sentient, opinionated school PA System. St. Elizabeth Rose’s principal, a fellow teacher, and a Catholic priest round out the ensemble cast.
The New Orleans locales and Abigail’s interior thoughts are brought to the stage with sets by Isabel Kurzweil ’26, lighting design by Via Sussman ’26, costumes by Lily Sickman-Garner ’25 and sound by Reed Shaw ’27 with stage management by Tamarin Camp ’25. “We have such a wonderful group of creators on this, everyone involved knows how special this show is, and why it matters to tell this story,” says Rainwater. The message she wants the audience to take away? “That you are enough. All of you. Not one bit is out of place.” There will be a talkback with CQ Quintana after the March 1 performance. For a list of content warnings, email boxoffice@smith.edu.
AUGUST WILSON’S FENCES ONSTAGE AT MAJESTIC THEATER FEBRUARY 27 – APRIL 6
West Springfield’s Majestic Theater will present Fences, the Tony Award and 1987 Pulitzer Prize Winning Drama by August Wilson onstage February 27 through April 6.
Set in Pittsburgh, Pennsylvania, the play focuses on Troy, a 53-year-old working class head of the household who struggles with providing for his family. He lives with his wife, Rose, and his teenage son, Cory. In his younger days, Troy was an excellent baseball player and even played in the Negro Leagues, but that was before the color barrier in Major League Baseball had been broken. Fences explores the evolving challenge of a family attempting to build a safe home in the racially stratified 1950s suburban America.
The play will be directed by Michael Ofori. Danny Eaton is producing director, and Sue Dziura is associate producing director. Stephen Petit is production stage manager, and the associate production manager is Aurora Ferraro. Amari O’Connor is stage manager, Calypso Michelet is scenic designer, and Dan Rist is lighting designer. Costume design is by Dawn McKay and Alan Schneider is technical director.
The cast includes Dominic Carter (Troy), Martinez Napoleon (Gabriel), Greg Alexander (Jim), Kyle Boatwright (Rose), Silk Johnson (Lyons), Mike Daniel (Cory), and Louise Coly/Malayah Charland (Raynelle).
According to Eaton, “Fences is a great, classic story in the way is provides a snapshot of the struggles faced in keeping a family together through everyday challenges. August Wilson was a remarkable American playwright who wrote about his lived experience. Fences is set in Pittsburgh, and Wilson channeled his understanding of growing up and living in that particular community to tell a compelling story. His plays are character-driven, and he creates incredibly interesting characters who draw an audience in.”
Tickets to the show range from $35-$38 and can be purchased in person at the box office or by calling (413) 747-7797. Box office hours are Monday – Friday 10:00 a.m. – 5:00 p.m. and Saturday 10:00 a.m. – 1:00 p.m.
Doors to the theater will open one hour before the start of a show, which is also when the café opens. For more information, visit www.majestictheater.com
Kristina Wong #FoodBankInfluencer
Feb 28, 2025 at 1:30 PM
Bowker Auditorium, UMass Amherst
Written and performed by Kristina Wong Directed by Jessica Hanna Performance artist, comedian, actor, and writer Kristina Wong is a real-life food bank influencer in Los Angeles. She brings glamor and pizazz to the emergency food system like nobody asked for. Her avant premiere of this new work of karaoke and storytelling takes us through America's food insecurity issues from big cities to the Navajo Nation. This high energy, one-woman show will help us to look at the future of food access. If food banks were originally a stopgap for a temporary crisis and now have become a permanent part of American survival, does this mean we are in a perpetual state of crisis? Wong is a Doris Duke Artist Award winner, Guggenheim fellow, and Pulitzer Prize finalist in drama. She has performed on stages across North America, the United Kingdom, Hong Kong and Africa. She’s been a guest on late night shows on NBC, Comedy Central and FX. Her commentaries have appeared on American Public Media, PBS, Vice, Jezebel, Playgirl magazine, the Huffington Post, and CNN.
More Info
Warm up for this show with an activating panel conversation: "Sex, Lies, & Foodbanks"! Wednesday, Feb. 26, 4-6 p.m. | UMass Old Chapel | Free with registration Featuring participants from UMass, Grow Food Northampton, and the Amherst Survival Center, and dynamically moderated by Kristina Wong, this panel will explore topics related to food access and food justice and raise awareness of resources available to the UMass community and beyond. Bring your taste buds and your questions! Co-sponsored by the School of Public Health & Health Sciences and presented in collaboration with Grow Food Northampton and SPHHS.Play Incubation Collective presents
The Transformation, by Jem O'Hara
Sunday, March 2 at 7:30 PM
33 Hawley Street, Northampton
Synopsis: Iris and Morpheus dream of ascending the celestial hierarchy, and may have found just the way to do it. The Man grieves the loss of his brother and niece as war threatens his kingdom. The Woman, his queen, tries to support him and prevent disaster despite her own frustration and doubts about the king’s sanity. The arrival of Other Man further destabilizes the unhappy couple and threatens to shatter their world entirely. Can the gods somehow use this strife to their own advantage? The Transformation adapts the tragic story of Ceyx and Alcyone told within Ovid’s Metamorphoses by stripping away all but the essentials, to tell a story about unconditional love, friendship, and the forces that break them apart.
More information here.
In 2025, PIC will host three PIC PIPS at the Workroom (33 Hawley St, Northampton). All PIPS begin at 7:30 pm, with doors opening at 7:15. They are free to attend, and no registration is required. However, we will create a Facebook event for each PIP, and marking yourself as "interested" or "attending" there if you are thinking of or planning to come is very helpful for our planning.
When attending, please use the downstairs doors, nearest to the courtyard. Outside doors will be open at 7:15 and will be locked at 7:45 so please arrive promptly.
Staged Reading of historical play: Blood on the Snow by Patrick Gabridge
Wednesday March 5 & Thursday March 6 at 6:30pm (doors open at 6pm)Produced by Historic Northampton in collaboration with Plays In Place
Blood On the Snow takes us into the tense State House in Boston on the day after the 1770 Boston Massacre where decisions are being made that could unwittingly place the country on the road to revolution.
Featuring an exciting ensemble of local professional actors: Matt Haas, Bill Stewart, Gabriel Levey, Andrew Roberts, Marcus Neverson, Lindel Hart, Scott Braidman, Patrick Toole, Luke Haskell, and Rich Vaden, and directed by Brianna Sloane.
Each hour-long performance will be followed by a post-show discussion with the playwright and a historian.
Tickets & more information: historicnorthampton.org
Mount Holyoke College
MHC's FMT Presents: "Mauritius" by Theresa Rebeck
3/6 @ 7:30pm, 3/7 @ 7:30pm, 3/8 @ 7:30pm, 3/9 @ 2:30pm
Rooke Theater
The Mount Holyoke College Department of Film Media Theater presents “Mauritius,” a gripping drama by Theresa Rebeck that delves into the high-stakes world of rare stamps, sibling rivalry, and the search for treasure.
Stamp collecting is far more risky than you think. After their mother’s death, two estranged half-sisters discover a book of rare stamps that may include the crown jewel for collectors. One sister tries to collect on the windfall, while the other resists for sentimental reasons. In this gripping tale, a seemingly simple sale becomes dangerous when three seedy, high-stakes collectors enter the sisters’ world, willing to do anything to claim the rare find as their own.
“In Mauritius, the characters all see the stamps as the key to their life, and throughout the story we experience how their desperation, greed, nostalgia, curiosity, and love drives them to the most extreme measures.” - Director, Glynnis Goff ‘25
This production is directed by Glynnis Goff ‘25. Set Design by Vannessa James, Costume Design by Devin Keith ‘25, Lighting Design by Sam Skynner, and Sound Design by Hadlee Li ‘25.
Performance Dates and Times:
Thursday, March 6, 7:30 pm
Friday, March 7, 7:30 pm
Saturday, March 8, 7:30 pm
Sunday, March 9, 2:30 pm
Tickets: $15 general | $10 students and senior citizens
For more information or to reserve tickets, please visit mhc.ludus.com or contact us at PerformingArts@MtHolyoke.edu
http://mhc.ludus.comUnfinished Women Cry in No Man's Land While a Bird Dies in a Gilded CageBy Aishah Rahman
Directed by Judyie Al-Bilali
March 7, 8, 11, 12, 13 at 7:30 p.m. | March 8 at 2 p.m. | March 11 at 10 a.m.
The Curtain Theater
$5 students, seniors, Card to Culture, $17 general admissionContent advisory: Racial slurs, discussions of sexual activity and assault, discussions and depictions of drug and alcohol use and death. Recommended for children age 15 and up.Tickets on sale through the Fine Arts Center Box Office (413-545-2511 and online), as well as at the door on the night of the show (subject to availability). To make our shows more affordable, we offer Card to Culture pricing for qualifying patrons.
There's past, present, and future wrapped up in our production of Aishah Rahman's Unfinished Women Cry in No Man's Land While a Bird Dies in a Gilded Cage, which opens in the Curtain Theater on March 7.
In dual story lines, virtuoso saxophonist Charlie Parker contemplates his life as he dies, while a group of young unwed mothers wrestle with their sense of the future and the fates of their children. Music suffuses the atmosphere as the breath of life in these parallel stories where pleasure, pain, heartbreak, and desire comingle.
Aishah Rahman’s text provides the blueprint for Theatrical Jazz, an approach to theater-making that centers Black aesthetics and creativity. This play was co-produced in the department with New WORLD Theater in 1987 as a part of a conference celebrating Black Theater. Director and Professor Judyie Al-Bilali's early training was in Theatrical Jazz and she brings this form to a new generation of theater students — who, in turn, are looking ahead to how they'll make their mark on theater.
"It helps us to look backwards to that earlier performance and to support Black theater now. This production affirms our commitment to the ongoing legacy of Black theater on our campus," said the play's dramaturg, Dr. Priscilla Maria Page.
The play was originally proposed for the season by Professor Gilbert McCauley, who planned to direct. McCauley, also an accomplished actor, has since stepped into the titular role of Charlie Parker, with Al-Bilali taking on directing duties. The three faculty members are frequent collaborators; they participated in the first national conference on Theatrical Jazz at the University of Minnesota in Minneapolis, where Page was a key organizer.
Theatrical Jazz practitioners follow tenets that include a focus on breath, deep listening, presence, virtuosity, community, the holding of simultaneous truths and being in one's body — all important values for moving through life as well as art. Both for the theater-makers and the audience, Page said, our presentation of this play is "beautiful and necessary."
Unfinished Women is presented in the Curtain Theater, an intimate space, so make your reservation now before performances sell out!Tickets Are Now On Sale for Easthampton Theater Company's March Production of On Golden Pond.
Performed at Williston Theater, Easthampton, MA March 15-23. Directed by Jason Rose-Langston (Director, Torch Song)
Produced by Michael O. Budnick (Producing Director, God of Carnage)
On Golden Pond is a masterpiece of emotional depth, wit, and tenderness. In this production, we’re not only bringing this timeless story to the stage — we’re honoring its exploration of universal themes that are more relevant today than ever. Audiences will experience both light-hearted humor and poignancy while characters confront aging, bridge generational divides, and find home, family and love along the way.
On Golden Pond may be best known from the Academy Award-winning 1981 cinematic version. But the 1979 Broadway Tony and Golden Globe nominated play is arguably funnier and more emotionally engaging. Live on stage, On Golden Pond is an experience that will resonate deeply with anyone who has ever grappled with love, loss, or the complexities of familial bonds. It is also one of only a handful of popular theater pieces to feature the life-long love affair of a senior couple. Set against the serene backdrop of a tranquil lake in New England, the story of Norman and Ethel Thayer, an elderly couple returning to their annual summer home, is a stirring meditation on life's inevitable changes.
Easthampton Theater’s On Golden Pond brings a fresh emotional intensity to a play that has captured hearts for decades. This production proves that the themes of family, aging, and reconciliation are more timeless and relatable than ever. Plus, this play reminds us that families, whether related or blended, are made up of all-too-fallible humans who can be quirky and funny. Ernest Thompson is a master of subtle humor and mood shifts.”
The cast features outstanding regional talent, including veteran actor and former Ashfield theater director William Spademan as Norman Thayer, Jr. His portrayal of the sharp-tongued but endearing patriarch promises to be both hilarious and deeply moving. Joining him is the talented and amiable Patricia Perlman as Ethel, Norman’s warm-hearted and loving wife, whose unwavering optimism provides a comforting counterbalance to Norman’s gruff exterior. The cast also includes Kim Gaughan as Chelsea, the Thayers’ adult daughter, who is navigating her own complex relationship with her aging parents. Travis Maider plays Chelsea’s love interest Bill, and Jaxon Reddy plays his 13-year old son Billy. Patricia, Travis and Jaxon may be familiar to ETC audiences from 2024’s The Man Who Came to Dinner. Shelton Windham rounds out the cast as Charlie, Golden Pond’s resident mailman and childhood friend of Chelsea.
The beautiful Williston Theater and the innovative set design and lighting add to the immersive experience, enveloping the audience in a peaceful, nostalgic atmosphere. On Golden Pond offers a perfect opportunity to reflect on the beauty of life’s quiet moments and the importance of connection. This is a unique theatrical event that will leave audiences laughing and reflecting long after the final curtain falls.
Performance Schedule: March 15th, 21st and 22nd at 7:30PM, March 16th, 23rd at 2PM
Tickets, more information about the company and production announcements are available HERE or via our website at easthamptontheater.com.
You can also visit our facebook page at the link below:
facebook.com/easthamptontheatercompany
UMass Fine Arts Center
The Very Hungry Caterpillar Show
Mar 16, 2025 at 3:00 PM
UMass Bromery Center for the Arts, Frederick C. Tillis Performance Hall
For a decade, The Very Hungry Caterpillar Show has been enchanting audiences worldwide, bringing Eric Carle’s beloved classics to life. Created by Jonathan Rockefeller and based on the works of renowned illustrator and author Eric Carle, who made a home in Northampton for more than thirty years, this acclaimed production features a menagerie of over 75 magical puppets, including the star of the show – The Very Hungry Caterpillar.
Along with The Very Hungry Caterpillar, audiences will enjoy three other stories: search the night with The Very Lonely Firefly, travel the world with 10 Little Rubber Ducks, and explore and share with Brown Bear, Brown Bear. These cherished tales brought to life by a captivating cast of storytellers, enchanting original music, and breathtaking puppetry, educate and celebrate the power of creativity. This performance delights generations of Eric Carle readers — children, parents, and grandparents — who get to create lasting memories together experiencing what is often a child’s first theatrical experience. It’s truly one VERY magical hour.
Join us in our big glass lobby before the performance to visit the Pop-Up Bookshop from The Eric Carle Museum of Picture Book Art!
Presented by the UMass Fine Arts Center with sponsor support from The Eric Carle Museum of Picture Book Art, El Sol Latino and Florence Bank.
Tickets and More Info.
Tickets for school and homeschool groups are still available to the Fine Arts Center's Global Arts Performances for Schools showing of this performance on Monday, March 17 at 10am! (Concessions and the bookshop will not be available at the Monday performance.) Please visit this link to register your education group: tinyurl.com/GlobalArtsRegistrationFormEggtooth Productions & MASS MoCA
KID5PACE: BY THE NUMB3R5
10am-5pm Wednesday-Monday
through August!
MASS MoCA, North Adams
7-11 year-olds are invited to join 11 year-old project manager Pax on an headphone-guided adventure to finish a MASS MoCA installation that only kids can complete!
Designed for 1-2 kid participants at a time, caregivers join their children in Kidspace at MASS MoCA for this 40-minute romp as they play a supporting role in this immersive experience where kids take full agency of the piece.
Free admission, along with full access to other Kidspace activities at MASS MoCA
massmoca.org
Created by Eggtooth Creative Director John Bechtold & collaborator Alli Ross. Music by Sam Perry. Featuring Pax Belmonte. Co-produced by Eggtooth Productions, Greenfield, MA.AUDITIONS & OPPORTUNITIES
Smith College New Play Reading Series looking for readers!
Nuestra Corrido: A Villanueva Tale by Aria Acevedo
Reading will be on March 27, 7:30 PM with 2-3 rehearsals beforehand.
If interested, reach out to Nikki Beck, Production Manager - ncbeck@smith.edu
Larissa/Lari: Second granddaughter, Celia’s oldest daughter, struggling to live up to her moms high standards and live her own life Mexicana/Indigena/Latina, woman, early-mid 20s
Emilia: Eldest granddaughter struggling to find her place in her family. Soli’s daughter. Mexicana/Indigena/Latina, woman, mid-late 20s
Andres: Eldest grandchild/grandson, filled with regret for not living up to his mom’s expectations and fed up with being the family joke Mexicano/Indigeno/Latino, man, late 20s
Nev: youngest grandchild/grandson, senior in high school scared of what comes next and unsure where his life will take him or where he wants to go in life, living with immense pressure of undoing his cousins’ fuck ups Mexicano/Indigeno/Latino, man, late teens
Yesena: youngest granddaughter who lives by her own rules Mexicana/Indigena/Latina, woman, late teens - early twenties
Shakespeare & Company has announced that auditions are now open for its 48th season, offering opportunities for actors to join a diverse lineup of productions. Season 2025 will include LORT D and SPT contracts, with productions set to take place at Shakespeare & Company venues in Lenox, Mass., including the Tina Packer Playhouse, the Arthur S. Waldstein Amphitheatre, and the Elayne P. Bernstein Theatre.
Productions Seeking Actors:
LORT D Productions (All LORT D contracts offer $839 per week):
SHAKE IT UP (by Allyn Burrows and Jacob Ming-Trent)
1st Rehearsal: June 24, 2025 | 1st Preview: July 1, 2025 | Close: July 6, 2025
Rehearsed and performed indoors at the Tina Packer Playhouse. Singing and/or other musical ability is a plus.ROMEO AND JULIET (by William Shakespeare)
1st Rehearsal: June 10, 2025 | 1st Preview: July 12, 2025 | Close: August 10, 2025
Rehearsed and performed outdoors at the Arthur S. Waldstein Amphitheatre. Four of the Equity actors in Romeo and Juliet will also be cast in The Taming of the Shrew.THE TAMING OF THE SHREW (by William Shakespeare)
1st Rehearsal: July 22, 2025 | 1st Preview: August 14, 2025 | Close: August 24, 2025
Rehearsed and performed indoors at the Tina Packer Playhouse.SPT 6 and SPT 7 Productions (SPT 6 at $620 per week and SPT 7 at $685 per week):
THE VICTIM (World premiere by Lawrence Goodman)
1st Rehearsal: June 3, 2025 | 1st Preview: June 19, 2025 | Close: July 20, 2025
Rehearsed and performed indoors at the Elayne P. Bernstein Theatre.THE PIANO LESSON (by August Wilson)
1st Rehearsal: July 15, 2025 | 1st Preview: July 25, 2025 | Close: August 24, 2025
Rehearsed and performed indoors at the Elayne P. Bernstein Theatre.MOTHER PLAY (by Paula Vogel)
1st Rehearsal: August 5, 2025 | 1st Preview: August 29, 2025 | Close: October 5, 2025
Rehearsed and performed indoors at the Elayne P. Bernstein Theatre.Audition Details:
LORT Auditions
Friday, March 7 and Monday, March 10
10 a.m. – 1:30 p.m. & 2:15 p.m. – 5:45 p.m. (by appointment)
Walk-ups and non-Equity actors will be seen as time permits.SPT Auditions
Saturday, March 8 and Sunday, March 9
10 a.m. – 1:30 p.m. & 2:15 p.m. – 5:45 p.m (by appointment)
Walk-ups and non-Equity actors will be seen as time permits.For appointments, Equity actors should visit SignUpGenius – LORT or SignUpGenius – SPT to schedule. For questions, contact 413.637.1199 ext. 140 between 11:00 AM and 2:00 PM weekdays.
Non-Equity actors should sign up for the waiting list through SignUpGenius – Non-Equity and will be contacted by email regarding available time slots a few days prior to auditions.
Audition Preparation:
LORT Auditions: Prepare one short classical/Shakespearean monologue and one short contemporary monologue.
SPT Auditions: Prepare one short classical/Shakespearean or contemporary monologue.
All actors should bring a resume, headshot, and, for Equity members, an Equity Membership card.
Pre-Cast Roles: Some roles in the season have already been precast. However, auditioning actors may still be considered for replacements, should any pre-cast roles become unavailable.
Shakespeare & Company’s Commitment to Diversity: Shakespeare & Company is committed to equal employment opportunities and maintaining an inclusive work environment. The company encourages actors of all ethnicities, gender identities, and ages to audition, and welcomes performers with disabilities. Shakespeare & Company is an equal opportunity employer and a member of the Actors’ Equity Association.
For further information, including available roles and full audition details, please visit Shakespeare & Company Auditions Page.
K and E Theater Group is casting is our Fall 2025 production
Sunday in the Park With George
Winner of the Pulitzer Prize for Drama, Sunday in the Park with George by Stephen Sondheim and James Lapine is a masterful exploration of art, love, and legacy. This poignant musical celebrates the creative spirit and the complexities of human connection.
Inspired by Georges Seurat’s famous painting A Sunday Afternoon on the Island of La Grande Jatte, the story follows the artist’s struggle to balance love, ambition, and innovation. Spanning generations, this funny and moving musical invites audiences to reflect on the intersections of life and art, reminding us of the beauty in creating something meaningful that lasts.
Audition Date & Time
Monday, March 10, 2025
In-Person and By Appointment from 6-9 PM
Location - Audition and Callbacks
First Congregational Church of Southampton
212 College Highway, Southampton, MA 01073
SEEKING strong actors and singers and movers to play principal and featured roles in our production. Please visit KETG.org/auditions for cast breakdown of available roles.
Please prepare a song in the style of the show that shows off your acting and vocal range. Please bring your book in case we need to hear additional material. If you have a headshot and resume please bring it.
If you have a headshot and resume please bring it. A small stipend will be provided at the end of production. If you have any questions, please email auditions.ketg@gmail.com.
SIGN UP FOR AUDITION SLOT TIME at www.tinyurl.com/KETGSundayAuditions
PRODUCTION DETAILS
First rehearsal – July 2025, with rehearsals generally on Monday, Tuesday, Thursday and Saturday
Show run – October 10-12 and October 16-18, 2025 (8 Performances) at Northampton Center for the Arts in Northampton
Directed by Eddie Zitka
Music Director by David Cavallin
Please visit KETG.org and follow us on Facebook, Instagram, YouTube, and TikTok!Seeking Stage Manager
Easthampton Theater Company's June Production of Guys and Dolls
Detailed Information is available on our web site HERE.
This position includes a stipend. Rehearsals begin in April, with a read-through in March.
More information about the company is available at our website at
